Chris Williams is an artist and musician based in Brooklyn, NY whose work unfolds through electroacoustic composition and performance installation. His practice engages themes of family history, ambience, and time-space compression—using sound as a medium for both personal and spatial resonance. 

His EP Live earned praise from Jazz Right Now and The Quietus for its “dazzling collaged pieces that ricochet between improvised passages and written material” (Peter Margasak, The Quietus). His debut LP Odu: Vibration II, praised by Pitchfork and named one of NPR’s Best New Albums, reimagines a journey through Plato’s Cave.

Williams’ work has been performed and presented extensively across the U.S. and Europe, including at the Venice Biennale, Roulette Intermedium, Walt Disney Concert Hall, The Royal Danish Playhouse, National Sawdust, and Performa Biennial. He has received commissions from the Pan Afrikan Peoples Arkestra, WasteLAnd, the American Composers Forum, and the International Contemporary Ensemble.

Lukas De Clerck is  a musician and sound-artist, living in Brussels.

His artistic practice is currently centered around the Aulos, an ancient Greco-Roman, double-reeded double pipe, that got extinct more than a millennium ago.

After several years of delving deep in the practice of Aulos reed making and playing replicas of ancient instruments, he opens up his inevitably auto-didact artistic output. Following the desire to strip the instrument from its enigmatic past, De Clerck created a new, contemporary Aulos: The Telescopic Aulos of Atlas.
The creation of the Telescopic Aulos is made possible by the support of Flanders, state of the arts and co-producers STUK, Sonic Acts en de Bijloke.