Bárbara C. Branco, Brussels based multidisciplinary artist-cum-singersongwriter joins forces with multi-percussionist Falk Schrauwen and multitool Mathieu Versini. Together they form the band Baralha, where Branco’s songs are buoyed and borne from her Portuguese shores by Schrauwen’s rhythmic references, sourced and studied from across the seas, while Versini’s submarine frequencies plunge us deep into the ocean drink.


Not everything is so far-flung or wide in scope here. There are also tales of a more domestic intimacy, Come and hear stories sung and strummed, large and small, both geographically disparate and locally sourced. The Fado of home and melodies all her own offer us a counterpoint to the angular grooves of PEGA and electricity of Tuvalu, Branco’s other musical projects.


There is the determinism of fado but also the punk determination of a fish from different waters, now swimming, singing, guitaring in a new sea of her own making.” by Joey Wright


“Chanteuse post punk. Figure du groupe PEGA et des Tuvalu, active dans les milieux underground, Bárbara C. Branco est une artiste d’origine portugaise. Après avoir mis un peu de vin dans son eau, elle fera une pause et présentera ses chansons mi folk – mi fado.” by Un Peu

Stian Westerhus and Maja S. K. Ratkje - two artists usually associated with effect pedals, samplers, amplifiers and computers at three digit decibel levels - put aside all things electric and performed an acoustic set at Oslo Jazz Festival in 2019. Ratkje and Westerhus, now armed with a 19th century pump organ, fiddle, acoustic guitar, some metal scrap and their voices, have gradually composed, developed and expanded their new and unique repertoire, performing at concerts, for Norwegian national broadcasting (NRK), and released the beautiful album “All Losses Are Restored”.

A Shakespearian wind hit the two as they were looking for inspiration moving on from their first live appearances back in 2019. Would it make sense to combine their new musical expression with the mystical, brutal and flowery universe of William Shakespeare’s words? So many songs have already been made, so much music, from large staged works and inspired instrumental works to miniatures. A never-ending textual source. The task seemed both challenging and enticing.

All Losses Are Restored is an album consisting of six new songs (although Verona is previously recorded by Westerhus), all composed by Ratkje and Westerhus and with lyrics solely built upon Shakespeare’s body of work. Most obviously some of the Sonnets, such as number 30, which also contains the albums title. Other Sonnets used are number 73 (That time of year…), 137 (Though blind fool…) and 46 (Mine eye and heart…). Apart from these, a sidekick is given to no less that Hamlet, Macbeth and Romeo and Juliet, with various contextualisations. In the occasions where Ratkje and Westerhus have performed live the response has been nothing short of overwhelming. Critics have used terms such as “One of the decidedly strongest musical moments of the year”.